MUSTAFA NECATI SEPETCIOĞLU'S REFLECTIONS OF THE DOMESTIC (NATIONAL) ELEMENTS IN THEATER
![](/public/ojsicons/gor.png)
![](/public/ojsicons/pdf.png)
DOI:
https://doi.org/10.26450/jshsr.1227Keywords:
Mustafa Necati Sepetçioğlu, Çardaklı Carer, Local Aspects (National Elements)Abstract
Mustafa Necati Sepetçioğlu, one of the most important figures in Turkish literature, has won fame with historical novels as well as writing theatrical works. Theater Works: Çardaklı Bakıcı (1969), Bridge (1969), Final Blocks (1969), Büyük Otmarlar (1970), Each Byzantine A Fatih (1972), Yunus Emre (1933).
Çardakli Bakıcı, which is among the published works, consists of three actors. He uses the, Cafer Baba l tomb, which is known for his play, fortune telling and magic, and his tale, which is unknown in his garden.
In this article, the indigenous elements in Çardakli Sozer theater work were tried to be determined. Our study has gained emphasis on the elements of religion, architectural structure, tradition and tradition among the national elements (local elements) in relation to the content of the work.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 INTERNATIONAL JOURNAL OF SOCIAL HUMANITIES SCIENCES RESEARCH
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.