POETRY AND SELF PRAISE

Abstract

Fahriyye is the poet's self-praise. This style, which has been integrated into the tradition of centuries as a tradition in our classical sense, has especially come to thepresent day with an identity which we can called a with rather than a poem to protect it sexistence by embracing different forms after Tanzimat (Reeorganizaions). Fahriyeler have a very colorful and complicated background, rather than suggesting the poet' sown sense of self. It is for this fact that institutions such as madrasa and mysticism, which do not welcome the praise of the self, have reacted so many fahriyees in the articles which have been taken for centuries. For poets, a very special and violent tendency to leave a trace, a mark in this temporary life, is the main cause of the emergence of fahriyyes. For this reason, we do not consider fahriyye a very correct approach, of artistic satisfaction only. In addition, its features like leading to the granting of competitions and works; cultural accumulation and the poet's idea of ideal poetry show that fahriyyes are a field of researches and as says for researchers of literature. This article has aimed to draw attention to these issues.