Representation of Women Image in Hayati Misman's Printmaking

Abstract

Hayati Misman, a prominent figure in original print art, dedicated his life to art and education. A graduate of the Gazi Education Institute in 1968, Misman is known for his original prints, oil paintings, sculptures, and metal collage works created with basic engraving plates. This research focuses on Misman's unique "female figure, abstract images, and metal collage" works in his artistic career. This study aims to examine how the female figure is portrayed in Misman's paintings and uncover the underlying themes, emotional depths, and meanings behind these portrayals. The research seeks to understand the evolution and changes in the female image in the artist's works from social, cultural, and personal perspectives. A qualitative research method was employed in this study. A semi-structured interview form was prepared based on this method. A semi-structured interview was conducted with Hayati Misman, recorded, and transcribed. The descriptive analysis technique was used for data analysis. As a result, Misman, influenced by his education abroad, portrayed migrant female profiles from Turkey to Germany and Anatolian women in a modern way within the context of the Republic's reforms. He blended women formally, uniquely, and innovatively, harmonizing Eastern and Western influences. Misman is an artist who places the female figure at the center of his work and continuously enriches its portrayal. He remains an influential artist to this day.